accessAtlanta

City & State or ZIP Tonight, this weekend, May 5th...
City & State or ZIP
City & State or ZIP Tonight, this weekend, May 5th...
City & State or ZIP

PHOTOS: 24-foot Leonardo da Vinci horse rebuilt at High

Howard Pousner and I  wrote this story about a particularly noticeable piece in the new Leonardo da Vinci exhibition to open at the High Museum. It’s  scheduled to run in Saturday’s print edition of The Atlanta Journal-Constitution. Here’s a photo gallery of how they built the 24-foot, 6,600-pound horse.

davincihorse.0926 g

The head of the Sforza horse, designed Leonardo da Vinci, is loaded onto the fiberglass-and-steel body on Thursday. AJC/Phil Skinner

It was an unusual scene for the quiet road behind the High Museum of Art on Thursday: workers posing for giddy snapshots, onlookers gathering, a crane ready to work, yellow caution tape to keep the excitement under control.

“What more could a curator ask for?” Gary Radke said, watching  as a crane lifted a massive piece of Leonardo da Vinci-designed artwork into the sky. He followed with his eyes, then ran up stairs to see it swing over a 70-foot wall, taking the white-gloved work of exhibition installation to terrifying heights.

davincihorse0926_3.jpg

The torso of the 6,600-pound Sforza horse swung over a 70-foot wall at the High Museum Thursday so it could be rebuilt on the piazza. AJC/Jamie Gumbrecht

As the piece inched toward the ground, Radke turned away.

“Every once in a while, there are moments when I look away,” said Radke, consulting curator of Italian art at the High and the Dean’s Professor of the Humanities at Syracuse University. “Emotionally, it’s just difficult for the curator.”

Nobody expected to have da Vinci’s 24-foot, 6,600-pound Sforza horse in Atlanta for the “Leonardo da Vinci: Hand of the Genius” exhibition, which opens Oct. 6. Not so long ago, nobody ever expected to see the work at all.

In the late 1400s, da Vinci envisioned the world’s largest, most technically challenging statue, one that would depict Francesco Sforza, Duke of Milan, on horseback.

From 1482 to at least 1499, Leonardo developed painstaking plans for the sculpture and techniques to build it. He got so far as to create a huge clay model, intending to create a bronze cast that would remain on display in Milan. But war with France was imminent and bronze for the horse was requisitioned for cannons. Invading soldiers destroyed the great clay horse, the one da Vinci expected to be a defining work.

Perhaps what defined him more, though, was what he left behind: plans. The High exhibit features more than 50 works, including sketches and studies of a variety of topics by the prolific artist-inventor-scientist-philosopher-architect, who died in 1519. (Here are more photos from the exhibition installation.)

Although da Vinci never cast the horse, his elaborate plans are some of the best documented in art history, da Vinci scholar Andrea Bernardoni wrote, “illustrating Leonardo’s exemplary way of confronting a project of unprecedented complexity.”

The Sforza horse reveals da Vinci’s artistry, but sketches in the exhibit showcase his engineering — the cog-and-pulley system he proposed to cast the oversized horse, the positioning for furnaces to deliver bronze to the mold.

Those plans and sketches were used to re-create da Vinci’s gran cavallo in the 1980s and finally to make a bronze cast. As Radke and High officials planned the da Vinci exhibition, nobody even suggested moving an enormous bronze statue to Atlanta. But on a trip to an Italian science museum, Radke learned of another plan to remake da

Vinci’s horse, this time with six large resin pieces treated to look like bronze but still able to break apart and travel.

Radke shook it off as too complicated, only to hear that the horse would be displayed outside the Tech Museum of Innovation in San Jose, Calif.

“The big horse in front of the museum doesn’t have to [be] seen as Leonardo’s horse because he never made it,” Bernardoni, the scholar, said when the horse was in California. “It is a reconstruction from his manuscripts to give the idea of the majesty and the impressiveness of his project.”

Radke and High officials traveled to California, stood beside its human-sized hoof and made their decision.

“We saw it, and we knew we had to have it,” Radke said.

The High’s exhibition explores da Vinci’s role in the development of Renaissance sculpture, his influences and his influence on the work of later artists . Though a majority of da Vinci’s sculptures were never realized, the exhibit, including works by Donatello, Rubens, Verrocchio and Rustici, conveys his central role in sculpture’s development.

The horse embodied the narrative of da Vinci’s life, but also his keen sense of how to mix science, art and dreams.

“We wanted people to get a sense of how ambitious this was,” Radke said. “It’s taking us a week to put this thing together with modern technology and a professional crew.”

Even in pieces, the horse was too big, too special to maneuver up stairs and through doorways. Their only  option was to use a crane to lift it over a wall so it could be assembled in the piazza.

“You can imagine the reaction of the museum in Florence when we said we were going to swing it over the side of the museum,” Radke said.

Skeptical, cautious, but after seeing the plan for themselves, not unwilling.

By August, pieces of the horse had arrived in Savannah on a ship. UPS moved them on land. By midday Thursday, the horse stood tall in Atlanta.

And when the exhibition comes down in February, the horse will leave exactly the way it came — by leaping back over the wall, with the help of work crews, a crane and a plan.

davincihorse0926_4.jpg

Work crews from Italy and Atlanta landed the torso of the horse in the piazza at the High Museum. AJC/Jamie Gumbrecht

Want to go? “Leonardo da Vinci: Hand of the Genius” opens Oct. 6, continues through Feb. 21. High Museum of Art, 1280 Peachtree St., Atlanta. 404-733-4444, www.high.org.

6 comments Add your comment

[...] is what you want, they’ve got you covered in terms of size, too:  don’t forget the 24-foot, 6,600-pound Sforza horse they built outside the museum as part of the [...]

cheyenne adkins

November 24th, 2009
9:53 am

I like the picture of this horse.It looks awesome.I can’t believe it came out to be 24 ft. and 6,600 pounds

[...] A 24-foot horse. It’s on the piazza, so you can see it for free any time, but even if you could miss it, you wouldn’t want to. Leonardo never had a chance to see it this way, but that doesn’t mean we can’t enjoy it. [...]

Rob

September 28th, 2009
6:22 pm

See the real deal at Fredrick Meijer Gardens in Grand Rapids, Michigan

Jamie Gumbrecht

September 25th, 2009
10:25 pm

Hi Becky! I don’t know all the paths they considered, but was told the walls and buildings around Sifly Piazza were, in some cases, just shy of safely getting the horse into the space. (To be clear, this is the courtyard area that opened with the expansion in 2005, has the restaurant seating etc. It was always intended to include outdoor sculpture, although they obviously didn’t plan for a 24-foot horse and its base.)

becky

September 25th, 2009
5:29 pm

I’m confused. Why didn’t the horse just take Peachtree to the courtyard? Doesn’t this face out with an opening to Peachtree?